In der aktuellen Ausgabe von Edge (UK)

• Independents’ pay
  With publishers dwindling and funding drying up, is your next favourite indie production at risk of dying on the vine?
• The game of the book
  How fiendish word puzzler LOK made the leap from page to screen
• Go north
  How does A Maze’s first UK outing compare to the Berlin original?
• CARTOON WETWORK
  Perfect Random’s Roguelike shooter is a real eyeful
• Soundbytes
  Game commentary in snack-sized mouthfuls
• ARCADE WATCH
  Keeping an eye on the coin-op gaming scene
• THIS MONTH ON EDGE
  Some of the other things on our minds when we weren’t doing everything else
• The Outer Limits
  Journeys to the farthest reaches of interactive entertainment
• KINGDOM COME: DELIVERANCE II
  A bigger, better – and funnier – Bohemian rhapsody
• SILENT HILL 2
  Has Konami’s Pyramid scheme paid off?
• METAL GEAR SOLID DELTA: SNAKE EATER
  This remake’s stealthy revisions don’t risk a time paradox
• HONCHO
  Vehicle simulation meets vending-machine tycoonism
• RAIDERS OF THE ARCHIVE
  Wolfenstein-style shootouts are just a small part of the picture in MachineGames’ maximalist Indy game
• FORD FOCUS
  How MachineGames reached back into history to recreate Indiana Jones without its star’s involvement
• OUTBACK TO LIFE
  Inside the Australian videogame industry´s mission to rebuilt itself, driven by a new wave of indies
• COLLECTED WORKS MEGHNA JAYANTH
  From "80 Days" to "Thirsty Suitors", Meghna Jayanth´s career has been packed with personalities.
• CHANTS OF SENNAAR
  Why language was the key to the creation of Rundisc´s Babel-ascending "Chants of Sennaar"
• TWO POINT STUDIOS
  How a new studio rose from the ashes of Lionhead – success not simulated
• Tom Clancy’s Splinter Cell: Blacklist
  Sam Fisher’s final outing is also his most enigmatic
• Helldivers 2
  A progress report on the games we just can’t quit